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Beginning in the 1930's and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problema
British Broadcasting Corporation. --- Great Britain -- Colonies -- Emigration and immigration -- History -- 20th century. --- Great Britain -- Race relations -- History -- 20th century. --- Television and politics -- Great Britain -- History. --- Television broadcasting -- Social aspects -- Great Britain. --- West Indians -- Great Britain -- Public opinion -- History -- 20th century. --- Television broadcasting --- Television and politics --- West Indians --- Journalism & Communications --- Radio & TV Broadcasting --- Social aspects --- History --- Public opinion --- Great Britain --- Race relations --- Colonies --- Emigration and immigration --- History. --- Politics and television --- Telecasting --- Television --- Television industry --- Political aspects --- Broadcasting --- B.B.C. --- BBC --- Great Britain. --- Hayʼat al-Idhāʻah al-Barīṭānīyah --- Ying-kuo kuang po kung ssu --- Yingguo guang bo gong si --- Ethnology --- Political science --- Mass media --- British Broadcasting Company --- Sociology of minorities --- Mass communications --- BBC [London] --- United Kingdom --- B.B.C. (British Broadcasting Corporation) --- BBC (British Broadcasting Corporation) --- BBC Group --- British Broadcasting Corporation --- Film and Media --- Media Studies --- PERFORMING ARTS / Television / History & Criticism --- Media studies --- African-Caribbeans. --- BBC Television Service. --- Britishness. --- ITV. --- assimilation. --- black Britons. --- citizenship. --- colour prejudice. --- race relations. --- racial tensions.
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Through contextual and textual analyses, this title explores a range of texts and practices that address the ongoing phenomenon of race and its relationship to television. Chapters explore policies and the management of race; transnationalism and racial diversity; historical questions of representation; the myth of a multicultural England, and more. Included are textual analyses of programmes such as Doctor Who, Shoot the Messenger, Desi DNA, Top Boy, and the broadcast environments that helped to create them. Other chapters scrutinise the 1950s and how immigration is reframed on contemporary television screens on programmes like Call the Midwife; the continuing myth of a multicultural England through Luther, and how comedies such as Till Death Us Do Part, cautiously framed racial tensions as laughing matters.
Television broadcasting --- Television programs --- Race on television. --- Minorities on television. --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Minorities in television --- Social aspects --- Television Studies --- PERFORMING ARTS --- General --- Asian British comedy. --- BBC. --- Black British comedy. --- British history. --- British multiculturalism. --- British television. --- Channel 4. --- Cultural production. --- Identity. --- Immigration. --- Multiculturalism. --- Policy Studies. --- Public service broadcasting. --- Race. --- Representations. --- Stereotypes. --- Television. --- black representation. --- cultural identity. --- ethnicity. --- far-right politics. --- multicultural England. --- public service media. --- racial difference. --- racial diversity. --- racial representations. --- television drama. --- transnationalism.
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